Posts Tagged ‘Children’

The Characters of Narnia Feature

Sunday, December 21st, 2008

TitleTrakk.com has just added a new Characters of Narnia Feature tonight that delves into each type of character that appears within the Chronicles of Narnia.

Starting with “The Children,” continuing with “The Animals,” and followed by “Strange and Not So Strange;” the article has a lot of spoilers if you haven’t read all of the books.

“Not one fan of the Chronicles has been there, but I don’t know of one who would hesitate a heartbeat if given the opportunity to visit.”

Read Characters in Narnia at TitleTrakk.com!

Blind children have a roaring time in Narnia

Friday, January 18th, 2008

It’s a visual spectacular, but that did not stop 300 blind and partially-sighted children enjoying the delights of The Lion, The Witch and The Wardrobe. The Royal National Institute for the Blind brought the youngsters to a special performance of the CS Lewis classic being staged at the West Yorkshire Playhouse in Leeds.

The children met and interacted with the characters from the magical world of Narnia, including the White Witch, Aslan the lion, Mr and Mrs Beaver and the four evacuated children – all of whom were in full costume.

They then experienced the wonder of the production. On a special headset provided by FT Audio Visual they listened to a live narration of the stunning set and all the action on stage.

The show runs until February 2. Call 0113 213 7700 for tickets or go online at www.wyp.org.uk.

[Hear the Article at the Yorkshire Evening Post website]

Children learn makeup, costumes for fantasy world of ‘Narnia’

Thursday, November 29th, 2007

Teaching 53 children and teens how to apply makeup to look like animals and mystical creatures could have been a recipe for disaster.

April Morgan found a formula to make it fun.

And like the characters in “Narnia,” the musical adaptation of C.S. Lewis’s “The Lion, the Witch and the Wardrobe,” perhaps a bit of good luck and magic were involved.

Morgan, 25, who is working on a degree in communications with an emphasis in theater from West Virginia State University, said she involved the cast members in the process.

Watching “The Chronicles of Narnia” helped kids visualize the characters.

“We actually sat down and I drew some stuff out and the kids drew stuff out and we drew inspiration from the movie,” Morgan said.

“I did two Saturday workshops where I taught the kids and their parents to apply the makeup and the prosthetics.”

Each character was given a diagram showing what his or her makeup should look like.

[Read the rest at the Daily Mail]

1 people like this post.

Narnia Lands BAFTA Children Award Nom

Tuesday, October 24th, 2006

“Pirates of the Caribbean: Dead Man’s Chest” will battle it out with “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe,” “Harry Potter and the Goblet of Fire” and “Wallace and Gromit: The Curse of the Were-Rabbit” at the British Academy of Film & Television Arts’ children’s film and TV awards.

The nominations in 18 groups were announced Monday in London and include five new ones: channel of the year, independent production company of the year, shorts and two categories for educational programming

When are movies too intense for children?

Saturday, December 31st, 2005

As it attempts to halt the year’s box office slide, Hollywood is bringing out the howitzer for the holidays — the turbocharged children’s film. For the last five years, PG-13 has ruled the box office; it’s the imprimatur of the top-grossing films of the year. Now kids’ films, PG-rated and amped up with computer graphics, are trying to catch up.

The gentle fantasy of C.S. Lewis’ “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe,” with its snowy landscapes and talking animals, gives way to a fight-to-the-death battle between loyal Narnians and the ghoul-filled army of the White Witch.

“The line between what’s a family movie and what’s a general audience movie has been blurring for years now,” said Nina Jacobson, president of Walt Disney’s Buena Vista Motion Picture Group. “Many families went to see `Spider-Man’ together or `Lord of the Rings.’ That goes in the other direction, too — the CG-animated (computer generated) movies are also playing as general audience entertainment.”

Jacobson said that “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe” is “intense” in parts and “appropriate for 7 and up, but it depends on the kid. It’s up to the parent to decide what’s right.”

Lord of the Rings” was able to hold to PG-13 because most of the creatures killed were not human. “The Lion, the Witch and the Wardrobe” managed to keep its even child-friendlier rating by staging an enormous battle that is “99.9 percent bloodless but still very powerful,” according to Jacobson. “Nobody’s head gets chopped off.”

A sequence in which creatures catch on fire was removed to avoid the PG-13 rating that “Harry Potter and the Goblet of Fire” got — putting it in the same rating category of strictly adult fare such as “War of the Worlds” and “Mr. & Mrs. Smith.”

In the case of the Potter and Narnia books, filmmakers argue that their first loyalty is to the text, but turning words into images might make the stories too intense for their original audience.

“When it comes to the impact of fright reaction, there is no question — images stick in the psyche much longer,” said Peter Vorderer, head of the University of Southern California Annenberg School for Communication’s entertainment program.

Other people suggest that the intense new films are a reflection of the tough times in which we live and can provide a safe empowerment fantasy for children. Quoting “Narnia” author Lewis, the film’s producer, Mark Johnson, said, “Since it is likely they will meet cruel enemies, let them at least hear of brave knights and heroic courage, otherwise you’re making their destiny not brighter but darker.”

By Rachel Abramowitz and Mary McNamara, Tribune Newspapers: Los Angeles Times

[Read the rest at the Chicago Tribune]

C.S. Lewis for children

Thursday, October 13th, 2005

The dreams C.S. Lewis had that began in the late 1940s were different. Some were frightening and some were beautiful and, as he described them to family and friends, they involved lions, especially a giant lion that had a regal, yet wild personality.

Soon, Lewis began weaving these images into a story that also included a strange dream that he had at age 16. In it, he saw a faun holding an umbrella and some packages, standing in a snowy wood near a lamppost.

“He told people, ‘I’d like to make a story out of that image because it has been in my head all of my life,’ ” said Douglas Gresham, the author’s stepson. As Lewis would say, the great lion “Aslan simply leapt into the story and dragged all the rest of the Narnian Chronicles along with him. I believe that all of this was a gift from God, of course.”

These dreams became “The Lion, the Witch and the Wardrobe,” the cornerstone of a seven-book fantasy franchise that has sold 90 million copies over 55 years, establishing itself as one of the most beloved works of Christian fiction of all time.

“Many people ask, ‘Why are they coming back?’ The answer is that these books never went away,” said Gresham, who has served as co-producer and the spiritual conscience of the movie project.

Gresham enters this story because his mother, poet Joy Gresham of upstate New York, began corresponding with Lewis in 1950 about literary and religious matters and they struck up a long-distance friendship. This relationship grew, over time, into a marriage complicated by her battle with cancer, a poignant romance described in a play and two movies entitled “Shadowlands.”

Unlike other Lewis biographies, “Jack’s Life” does not try to dig inside his psyche or offer a detailed map of his career as a scholar or apologist for traditional faith. Gresham said he simply wanted to tell the story — using images and language that would be accessible to children — of the “finest man and best Christian I have ever known.”

Thus, this biography begins: “If you are about eight years old, then you are the same age I was when I first met the man who wrote the Chronicles of Narnia. If you are eighteen, then you are the age I was when he died.”

Like Gresham, Lewis suffered the trauma of losing his mother when he was very young. Gresham notes that, when Lewis’ father died years later, Jack and his older brother Warren returned to Belfast to clean out the family home. They put all of their toys and other childhood memorabilia into a trunk and buried it in the garden.

Nevertheless, Gresham stressed that Lewis never “lost the intimate memory” if what it was like to be a child. While the scholar claimed that he was not good with children, his stories, letters and experiences late in life suggest otherwise.

“In my experience, he was excellent with children,” said Gresham. “He didn’t talk down to us. He may have brought himself down to our level, but he never talked down to us from above. – Jack was always conscious of the fact that children are people. They may be small and unformed, mentally and emotionally as yet, but they are people with all of the same trials, tribulations, frights and foibles as other people.”

Gresham paused, remembering. “In a sense, the child in him lived with him the rest of his life. … For anyone who is writing for children, that is an important thing.”