Archive for July, 2008

The Lion, the Witch and the Wardrobe makes KIDS FIRST! Top 100 Kid Films

Thursday, July 24th, 2008

Regardless of who compiles the list, any compilation of the most universally sound, creatively inspiring, and ethically robust animated feature films should require as comprehensive a list of qualifications as it does acknowledge the influence of the animated form. For KIDS FIRST!, a non-profit media observance group that provides news and information on children’s entertainment, that list of qualifications is rooted in the culture that contributing parents hope to teach their children as they continue to grow and learn. The KIDS FIRST! Top 100 Kid Films includes more than 45 animated feature films; many classics, some more contemporary.

With the publicly stated goals of teaching children to become better critics of the media they consume, helping fellow adults “recognize the importance of teaching critical viewing skills to children,” and of developing key initiatives for kids with special needs, KIDS FIRST! has successfully evaluated children’s entertainment for the better part of two decades.

Regarding the Top 100 Kid Films list, Coalition president Ranny Levy previously stated that the group created the list as a result of ongoing requests from media, parents and others. “We created the list to provide parents and caregivers with a reliable guide to evergreen films that are as good today as the day they were released,” Levy commented. “The films on this list portray the values and ethics that we, as a culture, wish to instill in our children.” Jury selection, film selection and voting took place over the past few months.

Read the rest at Animation Insider: The KIDS FIRST! Top 100 Kids Films

KIDS FIRST! Top 100 Kid Films

Edinburgh Couple Lose Narnia Website Battle

Wednesday, July 23rd, 2008

When Richard and Gillian Saville-Smith bought the domain name www.Narnia.mobi, they meant it as a birthday present for their son Comrie, a eleven-year-old Narnia fan. The Edinburgh, Scotland couple never expected that their present would lead to a major court case against C.S. Lewis (Pte.) Ltd., the Narnia author’s estate.

After purchasing the domain name, the couple received a complaint from the estate, claiming that they wished to use it for their own purposes and that, legally, it was theirs to use. Soon, the Saville-Smiths were fighting for the domain name in court.

The C.S. Lewis estate hired lawyers Baker & McKenzie for the case against the couple. Baker & McKenzie charged the Saville-Smiths with using the domain name in “bad faith,” as a means to make a profit. The couple deny this claim and insist that they purchased Narnia.mobi for their son’s personal e-mail address.

The WIPO (World Intellectual Property Organisation) did not agree when they ruled against the Saville-Smiths. Gillian Saville-Smith had this to say about the ruling:

“They had to prove that we had made a bad faith purchase, that we had been using it to make money. We provided very clear statements from the internet registration company saying that we had not tried to make any money and yet somehow it has just simply ignored the evidence. We have not done anything illegal or wrong, we were perfectly entitled to have this domain name.”

CS Lewis’ Oxford home to Receive Blue Plaque

Wednesday, July 23rd, 2008

The Angelican Communion News Service reported that CS Lewis’ Oxford home, The Kilns will be recieving a Blue Plaque that will commemorate the home as an important historical landmark. Below is an excerpt from the article

“We have very stringent rules and only award blue plaques for the highest level of achievement,” says Eda Forbes, secretary to the Oxfordshire Blue Plaques Board ahead of the unveiling this week of a special plaque at The Kilns, the home of the scholar, author and Christian thinker C.S. Lewis, who died in 1963.

Today, Lewis’s work continues to touch the lives of millions, not least through Disney’s The Chronicles of Narnia films. The Lion, the Witch and the Wardrobe came first and now Prince Caspian, the second movie in the series, is on general release in the UK. This month has also seen the publication of a new edition of C.S. Lewis’s 1942 bestseller, The Screwtape Letters, in which a senior devil writes words of advice to a junior devil. In all, Lewis wrote 40 books, most of which are still in print. His sales to date total around 100 million copies in 35 languages.

Lewis lived at The Kilns, now in Lewis Close, Headington, Oxford, from 1930 to 1963 and it was there that he wrote many of his works, including the Narnia series of books, based on four children who lived with Lewis and his family as evacuees during the Second World War. Today in The Kilns, now a Christian study centre owned and restored by the California-based C.S. Lewis Foundation, a period wardrobe stands in the hallway in the very place where one stood in Lewis’s day. It was a wardrobe that gave the Oxford don the idea for a gateway through which his young characters could enter the magical world of Narnia.

Walter Hooper, Lewis’s former secretary and literary advisor to his estate, will unveil the C.S. Lewis blue plaque on Saturday 26 July at 10.30 a.m. Sir Hugo Brunner, Lord Lieutenant of Oxfordshire and chairman of the Oxfordshire Blue Plaques Board, will explain why his board decided to designate The Kilns as an historic landmark to mark the contribution of C.S. Lewis to scholarship and literature. Stan Mattson, founder and president of the C.S. Lewis Foundation, will also speak on the importance of Lewis for today and introduce Oxbridge 2008, the Foundation’s two-week conference that immediately follows Saturday’s blue plaque event.

Others who have indicated they will attend the ceremony include the Lord Mayor of Oxford (Councillor Susanna Pressel), the chairman of Oxfordshire County Council (Councillor Tony Crabbe), the chairman of South Oxfordshire District Council (Councillor Colin Dawkes) and the chairman of the Oxford Civic Society (Mr Tony Joyce). Professor David Clary, president of Magdalen College, where Lewis taught, is also expected to be present.

Read the rest at the Angelican Communion News Service.

“Prince Caspian” Makes Eoin Colfer’s Top 10 Children’s Books

Tuesday, July 22nd, 2008

Eoin Colfer, author of the “Artemis Fowl” novels, has posted a list of his top ten chidren’s books, with “The Chronicles of Narnia: Prince Caspian” landing the number eight spot. Writes Colfer of “Prince Caspian”:

My introduction to the world of fantasy. The first Narnia book that I read, and the one that made the biggest impression.

The number one spot on the list went to Mark Twain’s “Huckleberry Finn.” View the entire list here.

Life Story’s Movie Magic: Return to Narnia

Monday, July 21st, 2008

Movie Magic magazine released an issue mostly dedicated to “The Chronicles of Narnia: Prince Caspian.” The issue includes:

An “Introduction” by the editors of the Movie Magic.

“C.S. Lewis and the World of Narnia”: This is a brief biography of C.S. Lewis that focuses mostly on how his life influenced the creation of the Narnia series.

“Secrets of ‘The Lion, the Witch and the Wardrobe’”: This part is a “making of” article for “The Lion, the Witch and the Wardrobe.” It features quotes from director Andrew Adamson, notes about how the cast was selected (quotes Tilda Swinton and James McAvoy), and a discussion on the challenges of bringing Narnia to the screen with special effects and WETA.

“William Moseley Returns to Narnia”: An in-depth, four-page interview with William Moseley (Peter Pevensie) about coming back to Narnia and about Peter’s character in “Prince Caspian”.

“Anna Popplewell’s Call to Action”: A three-page interview with Anna Popplewell (Susan Pevensie), which discusses Susan’s maturation in “Prince Caspian”, Anna’s feelings about returning to the set of Narnia, and how Anna feels about leaving Narnia behind after “Prince Caspian.”

“Georgie Henley’s Encore as Lucy Pevensie”: A two-page interview with Georgie Henley (Lucy Pevensie). Georgie discusses returning for “Prince Caspian”, her role in “The Voyage of the Dawn Treader”, and “Dawn Treader” director Michael Apted.

“Skandar Keynes–Warrior in Training”: A two-page interview with Skandar Keynes (Edmund Pevensie). Skandar shares his thoughts about being on the set of “Prince Caspian”, his role in the fight scenes, and director Michael Apted.

“Ben Barnes Is Prince Caspian”: A four-page interview with Ben Barnes, who talks about Caspian’s character (including the rivalry between Caspian and Peter), joining the Narnia cast, his role in “The Voyage of the ‘Dawn Treader’”, and working with CGI characters.

“The ‘Prince Caspian’ News Diary”: A timeline of the production of “Prince Caspian” from December 2005 to February 2007. This article is basically a list/summary of press releases about “Prince Caspian” and other future Narnia movies.

“Directing Prince Caspian”: Director Andrew Adamson discusses what he learned from “The Lion, the Witch and the Wardrobe”, working with child actors and CGI, and the challenges of making “Prince Caspian” into a movie.

“Meet the Narnia Costume Designer”: An article about Isis Mussenden (costume designer for the Narnia movies) and her work on the costumes of “Prince Caspian” and the upcoming “Voyage of the ‘Dawn Treader’”.

“Who’s Who in the Magical World of Narnia”: Brief biographies of the major characters in “The Lion, the Witch and the Wardrobe” and “Prince Caspian”, including Jadis the White Witch, Aslan, Mr. Tumnus, the Beavers and Badgers, Professor Digory Kirke, Reepicheep, and Oreius.

The rest of the magazine is about other summer movies, such as “The Dark Knight”, “Iron Man”, and “Harry Potter and the Half-Blood Prince”.

This issue of Movie Magic is available until August 4th, 2008 at most bookstores and is priced at $9.95.

Lewis books raise £34,000

Sunday, July 20th, 2008

Last month, we informed NarniaFans that CS Lewis’ secretary, Walter Hooper, would be auctioning off signed first edition copies of three of the Narnian Chronicles. We are delighted to report that the books were able to help raise £34,000.

The three Narnian books auctioned were The Voyage of the Dawn Treader, The Horse and His Boy, and The Last Battle . It was expected that each of the books would only take in £3,000. The Oxford Daily Mail reports that, ” The Voyage of the Dawn Treader raised £10,625; The Horse and his Boy £10,000; and The Last Battle raised £9,375.

The proceeds from the sale of this auction went to the renovation of the Oxford Oratory Church of St Aloysius. Eight other books by CS Lewis were auctioned off as well.

Tumnus’s Bookshelf: The NarniaFans Book Reviews: The Pilgrim’s Regress

Wednesday, July 16th, 2008

Welcome to Tumnus’s Book Shelf where we review any and all books related to Narnia and CS Lewis! For this weeks review, we will be looking at The Pilgrim’s Regress by CS Lewis

Title: The Pilgrim’s Regress.
Author: CS Lewis
Publisher: Wm. B. Eerdmans Publishing Company (January 1992)

ISBN-10: 0802806414
ISBN-13:978-0802806413

Summary of the book ( some possible spoilers. Please highlight to read:

Once in the land of Puritania there was a man named John. In this land he was brought up in fear of the Landlord, the ruler of Puritainia .Like every one else John was one of the Landlord’s many tenants and he had to follow His rules. As a young boy he had a hard time following these rules so his mother took him to see one of the Landlord’s Stewards. The Steward enforced the Landlord’s rules by telling him of the harsh punishments that awaited him, such as the Blackhole, where all who disobeyed the Landlord were sent. Ultimately, he was told not to worry about the Landlord.

Sometime after this, he was out walking and trying to memorize the rules of the Landlord. His studies were interrupted by beautiful music. He peers through a crack in the wall and hears the singing of some enchanters. His mind is suddenly cleared of all his worries and he was given a vision of a beautiful island.

Later his parents and his Uncle George are with a steward. The Landlord had given George notice to leave. He is saddened by this news, and afraid that his uncle will be put in the Black Hole but he is unable to show it as everyone puts on masks and quotes little platitudes. John grew to resent the Landlord for doing something like this to his uncle. John never forgot the island of his youth, or the music he once heard and longed for it.

Some time after all of this he left the town and meet a brown girl. She told him that it was not the music or the islands he longed for, but her. He was persuaded by her charms to be with her in an intimate way. As he was with her, she’d flatter him and he grew to hate her and realized he didn’t want her. She sends him away with the children they had together that he never knew about. He fled from them to the road and went home quickly.

Life in his home grew hard, the children seemed to follow him every where and he couldn’t shake his guilt. He had to get to the Island. At last one night he made his escape from Puritania. Along the road he meet Mr. Enlightenment who filled his mind with worldly knowledge and told him there was no Landlord. Mr. Enlightenment invited John to the city of Claptrap. John refused as he had to find his island.

He traveled along the road, overjoyed at the news that he need not fear the landlord or His wrath and believes that maybe Enlightenment was right. He encounters Mr. Vertue and Ms. Media Halfways. Vertue insisted that they follow the path as it is a rule, albeit one he made up. Media persuades John to come with her. John is at a crossroads but ultimately decided to follow Media and ignore Vertue.

Media introduces him to her father, Mr. Halfways. They fill his head with nonsensical poems and he falls in love with Media. She claims that they are the island and he is at his final destination. This lasts until a strange man comes and insults her and her father.

The young man, who was Media’s brother, Gus Halfways, informs John that she is just a brown girl. Gus invites him aboard his bus to the city of Escrapolis. John accepts the invitation, and discovers the Clevers and their art. If any one were to speak of traditions or claim something isn’t “art” by the terms of the Clevers, they were attacked for being puritanical. They ended up chasing John out of Escrapolis for such thoughts.

John escaped and begs a passer buy, Mr. Mamnon, owner of Escrapolis. He begged him for help but Mamnon refused. John continued on, alone, and was arrested by two guards and taken to Mr. Sigismund Enlightenment who informed him that the island was really a representation of his primeval desires. John wound up a prisoner of the Giant known as the Spirit of the Age who is disguised as a Mountain.

John was rescued by the Lady Reason who defeated the Sprit of the Age with riddles that the Giant could not comprehend, the Giant was destroyed and toppled down. While the other prisoners refused her offer for freedom, John asked to go with Reason. He was deeply troubled by his time in the dungeon, and Reason set his mind at ease. However she would answer none of his questions as he had to find those answers himself. They parted company at an inn and John continued on his way.

John was reunited with Vertue at a spot known as the Grand Canyon that no one could cross. Suddenly a stranger offered to help them. It was Mother Kirk. Mother Kirk was the Landlord’s Daughter-in-law, and knew a great deal about the Landlord, and told them how this chasm came to be when the first two tenants chose to eat from the forbidden wild apples of the mountain.

After hearing her story, they declined her offer and decided they would search the canyon for another way to cross. The two of them arrived at the home of Mr. Sensible and received food and lodging. He told them many philosophical things and spoke fluent Latin. The next day at breakfast, they discover that Sensible’s servant Drudge is gone. Vertue offers to stay with Sensible but Sensible told him there would be no need for it. The two departed from Sensible’s home and discovered that Drudge was traveling with them now.

Drudge had lived along the canyon for some time and offered to lead them, which they accepted. John soon grew tired and Vertue and Drudge carried him. They come to the home of the Three Pale Men, Mr. Neo-Angular, Mr. Humanist, and Mr. Neo-Classical. They are the sons of Mr. Enlightenment’s first wife and former students of Mr. Halfways. They only offer food and lodging to them out of duty not kindness.

The next day John stayed with the Pale Men while Vertue and Druge sought a way across the canyon. Later Vertue returns with food and wine to thank the three pale men for their help. He announced that they must all leave as they were in danger. Drudge had taken in with the giant Savage who wished to feed on the likes of Humanist and Neo-Classical.

John and Vertue continued on the next morning. Vertue was torn about whether or not the Island or the Landlord were real as he was deceived by the lies of Savage. He was tempted to return to the giant. In his weakness, Vertue fell ill and it was up to John to lead them.

They arrived at the home of Mr. Broad who was very hospitable, but didn’t speak of anything that interested John. After tea with Mr. Broad, John and Vertue journeyed to the house of Wisdom, a neighbor of Mr. Broad. Wisdom and his children agreed to tend to Vertue while John rested.

In the night, Contemplation, the daughter of Wisdom appears to John. She taught him how to fly across the canyon by moon light and told him that in time he could not only fly across the canyon but to the Island. John awoke the next day and learned more of Wisdom’s ways. He learned that through Wisdom he won’t lose desire, but hope as he is in the Valley of Humiliation. After another lesson from Wisdom at dinner about the Landlord, the Island and the rules, Wisdom announced that Vertue was nearly well.

As soon as Vertue was well, he and John set out on the road .The two had a sharp disagreement and separated.SPOILERS! A Man came down from the cliff that Vertue had gone down and urged John to follow Vertue. The Man told him the only way he’d make it is if he stuck with Vertue. John contemplates the Man’s words as he travels and he soon becomes lost and afraid.

He begins to wonder if maybe the Landlord is just a metaphor. The Man appears to him again during the night while he rests and assures him that the Landlord is real. After a disturbing dream where he was caught in slavery John continued on . He starts to not only realize that the Landlord is real but sees that the Island has been obstructed as it is the Landlord he wants.

John arrived at the cave of an old hermit named History. He inquires of History about the Landlord and the Island. History tells him that John’s vision of the Island came from The Landlord as it was the Landlord’s way to give such visions to those who didn’t know him so they’d come to him. History cannot give him what he seeks, that can only come from Mother Kirk. John must not only return to her, but become a blood brother with Vertue. John resolved that he would do this.

In the night Contemplation comes to him in a dream and takes him to the Landlord who he is still afraid of. He awakened and saw Reason who forced him out of the cave. John left the cave and came to the edge of the canyon. A dark voice spoke to him. This voice, which was Death, had been the one who haunted him since his uncle was taken.

This Voice gives him a choice he can be thrown in and possibly die, or surrender himself. John chose surrender. Because John surrendered, Death no longer had power over him and let him go as he choose surrender. John headed for Mother Kirk.

Mother Kirk bid him to cross the river. He wasn’t sure at first and became afraid. As he wrestled with the choice before him the Wraiths of Humanist, Media, Sigismund and Mr. Halfways and others came before him and tried to talk him out of it. At as Vertue came to him and told him to dive. He listened to Vertue and took the plunge.

Once he has crossed the river, the two travel through the caverns. Wisdom appeared to him and tries to dissuade him. The Landlord’s voice overrode wisdom and John was able to continue on until he and Vertue joined a band of Pilgrims. The two of them are given a Guide for their journey.

Their guide, Sliksteinsauga, leads them along the road. As they travel they saw all the places they visited had become desolate shadows. They now saw them as thy really were. They learnt the true nature of the black Hole and that it is only there for those who do not wish to serve the Landlord and accept His help as He cannot enforce His will upon them. They discover that the Landlord is in fact benevolent as they once believed.

After passing through the village of Luxuria John and Vertue were forced to contend with Dragons on there own as it was their battle to fight, not that of the Guide. The guide returns to them when the dragons are vanquished and continues leading them to their destination: Puritainia. John returns to the place he had left having found the true Island in the Landlord.END SPOILERS!

Review of the book:

There is an old cliché that goes “imitation is the most sincere form of flattery.” CS Lewis was no stranger to this concept. All of his works have similarities to others in the genre and at the same time, helped define it. One of Lewis’s earliest works of fiction was an “imitation” of John Bunyan’s The Pilgrim’s Progress. The book had been one of his favorites and it was only natural for him to emulate it.

However, while Bunyan sought to tell the tale of one persons journey to Heaven, Lewis sought to tell a different tale. That of his own journey of faith, going from faith, to agnosticism and back to faith again. Pilgrim’s Regress is in every sense of the word an allegory.

The term “allegory” has been misinterpreted at this point to not only include all seven Narnian Chronicles, but JRR Tolkien’s The Lord of the Rings, and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Even the film and the book Jurassic Park is labeled as an allegory of technology and nature and humankinds abuse of both. It is often assumed just because a story has some abstract concepts to it that it must be an allegory. While the stories I have just mentioned are not true “allegories”, ( keep in mind that Lewis himself said Narnia was not an allegory but a “let us suppose” story) Pilgrim’s Regress, like Pilgrim’s Progress is an allegory.

One of the defining aspects of a “true” allegory is that everything in the fictional book will have some kind of analogue. Narnia for example fails in this regard as while there is Aslan the Christ figure, The Emperor Beyond the Sea is God the Father , Peter Pevensie for the apostle Peter, Edmund for Judas Iscariot, Susan for Martha and Lucy for Mary, where are analogues for the rest of Christ’s followers, and why doesn’t Edmund die as Judas did?

In Pilgrim’s Regress, much like a true allegory, the story follows the format of the traditional morality plays of the Middle-Ages such as Everyman. Each character, save the protagonist is not given a real “name” as much as an attribute that they represent. For example one of the children of Enlightenment, Mr. Sigismund is clearly meant to be in the way he talks and looks an analogue for Sigmund Freud, a thinker who Lewis clashed with, especially in terms of religion and literary analysis.

Traveling the road is John, the protagonist. John is simply an “everyman”. His name itself is one of the most common forenames in the English language. Coincidentally the name “Jack”, which was Lewis’s own preferred name, is a commonly used nickname for those named John. This name is one of the many key indicators that “John” is meant to be CS Lewis.

The friend of the protagonist, Mr. Vertue, is clearly meant to represent virtue. He is often led astray and deceived by the clever sounding arguments of the world. He falls ill and is susceptible to these worldly lies, and it is only when the two of them have completely been given over to the Landlord is he of any use. This is representative of how Virtue, unless given over to God, can be misused for other means and that sheer virtue alone won’t save you.

Representing God is The Landlord. In Pilgrims’ Regress the world is represented as a great tract of land owned by a ruler who leases it out to tenants. The Landlord is desired as being “benevolent”, but his followers end up disfiguring his image and he seems terrible, remote and even cruel to John. Several figures, called Stewards stand in for religious leaders who at times offer no help to the tenants except for Platitudes. This is drawn from Lewis’s own experience as a child. Like the character of John, Lewis lost a very dear relative of his at a young age which led him to not believing. It is possible that he found the “platitudes” of the clergy to not be of any comfort to him as a child. It is ultimately to the Landlord, and his daughter in law, Mother Kirk or Christianity that he must return as they are what he truly seeks.

Along the road John encounters many figures who represent key movements in the fields of literature, art, politics, philosophy and psychology in the late 19th and early 20th century. Each one clamors for his attention and tries to lead him into the fold, but John ends up leaving disgusted as they don’t offer the one thing he is searching for.

Often times he gets trapped by these thought movements. His key rescuer is Lady Reason a lady clad in armor who wields a powerful sword and an incredible mind. At the time Lewis wrote this it would have been unheard of to depict a woman being a war-like heroine ( this was not the time of Xena Warrior Princess, but the none Grimm depiction of Cinderella.) However, she is not meant to be a feminist archetype, but rather is part of a deep literary legacy. Traditionally in literature, wisdom, or reason have always been personified as women. Solomon used his imagery in the Proverbs ( complete with the female figure coming to the rescue or the male), and the Greeks had Athena who was not only the goddess of wisdom but of offensive warfare and aided such heroes as Odysseus. Reason, much like Athena or Wisdom in the Proverbs rescues John and serves to give him aide when he needs it.

Even JRR Tolkien’s role in Lewis’s conversion shows up in the character of History. It is History with John, much like Tolkien with Lewis, who reveals to John that this island was a way of the Landlord getting to him, much like Tolkien said it was fantasy and mythology that God used to get to Lewis. This talk with History gives John much to think about and soon helps lead him back to the Landlord.

One of the hard parts of a “true” allegory, unlike Narnia, is that you have to reread every page you pass as each one is steeped in even more imagery and metaphors that you may have missed. Also with so many of the allegorical figures representing a different philosophy it is almost necessary to stop, reread the text, find the footnote and briefly look up what is being talked about in a dictionary or encyclopedia. This book can be hard to follow upon a first dry reading so multiple readings are required to fully understand and appreciate it.

If readers come across difficult words and terms, one thing is for sure: do not skip over it, as most reading comprehension classes will teach you now. You will be lost in this book even more if you do so.Pilgrim’s Regress is not really a summer beach read or a take it on the airplane and read it during your flight book. This is a book that you have to spend several hours of quality time with. It may seem like a lot, but it is well worth it at the end, especially since the book is a very entertaining fantasy story as well as a complex allegory. And guess what? In the process you might just learn something too!

Like Pilgrim’s Progress, Pilgrim’s Regress is told “in the similitude of a dream,” Every so often, Lewis the narrator will intrude and describe more what’s going on, as though he were actually telling us of a dream. This helps to keep the pace flowing amidst the ideas presented in the book, much as if one were actually telling some one of a dream they had.

The book does contain some very difficult metaphors and at times it has some rather disturbing imagery. For example when John is trapped by the Spirit of the Age John is made to see his internal organs. Because of the metaphors and imagery, this would not really be a book for young readers to hear as a bed time story. It would be much more suitable for High School Students and above.

Readers can expect to understand not only how Lewis came to faith, but how many people may make their own journey of faith. Containing an interesting depiction of the faith journey of one of the 20th Centuries greatest Christian thinkers in an epic fantasy setting, Pilgrim’s Regress is worth the journey.

5 out of 5 shields.

Harry Gregson-Williams: Scoring the Return to Narnia!

Monday, July 7th, 2008

Harry Gregson-WilliamsAnimated Views’ Jeremie Noyer e-mailed us to tell us that his newest Caspian article is online: an interview with Narnia composer Harry Gregson-Williams. Here’s the summary from the top of the article, followed by a link to the rest!

For any film music buff, Harry Gregson-Williams is no stranger. We owe him such notable scores for all three Shreks, Gone Baby Gone, Chicken Run, Man on Fire, Flushed Away, Domino, Phone Booth, Bridget Jones: The Age of Reason, Enemy of the State, Antz and Kingdom of Heaven, among others. Such impressive credits that prove his being as comfortable in live action as in animation to provide elegant, smooth and at the same time strong scores.

Born December 13 1961, Gregson-Williams began his career as a music teacher at the Amesbury School in Hindhead, Surrey, England, then at the Guildhall School of Music & Drama, where he had been a pupil, and also for a short period in both Egypt and Africa, thus experimenting music as a universal language, before stepping into film music.

Prince Caspian is his fifth collaboration with director Andrew Adamson after composing the scores for his Academy Award-winning Shrek (co-composed with John Powell), the hit sequels Shrek 2 and Shrek the Third, and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, for which he collected Golden Globe and Grammy nominations for his score. From the delicate and otherworldly notes of an electric violin to the stabs of a furious, full orchestra, let him be your guide through the sounds of Narnia…

Harry Gregson-Williams: Scoring the Return to Narnia!

Vote for your Favorite Pevensie at the Talented Young People Awards

Sunday, July 6th, 2008

Adam Sibley e-mailed us from the Talented Young People organization. They are a non-profit organization set up to help young people. They’ve nominated four of the actors from Prince Caspian for their Talented Young Person of the Month Award for July which is celebrating the release of Prince Caspian. Below is the information. Voting closes the last day of July.

Talented Young Person of the Month Award – July Nominees

To celebrate the release of Prince Caspian the latest film in the Chronicles of Narnia series we only have four nominees for the July award and those four nominees are the awesome four young actors who play four of the lead roles.

Georgie Henley – Lucy Pevensie

Georgie Henley is a precocious twelve year old who the fans of the new Narnia Film series have taken to their hearts. In Prince Caspian she has a lot of on screen time and gives a brilliant performance which plays a big part in why the film has been so greatly received. The Chronicles of Narnia is Georgie’s first work in film but I’m sure when the series ends she will have people beating down her door to work with her.

Skandar Keynes – Edmund Pevensie

Skandar Keynes was born in to a very successful family with many different members of his family tree excelling in various fields including writing and radio. It could have all been so different for Skandar as at the same time he auditioned for The Lion, the Witch and the Wardrobe he was auditioning for a role in Nanny McPhee and if he had been successful in that and not in his Narnia audition then his career may have gone down a different path.

William Moseley – Peter Pevensie

William is the oldest out of all four young people playing the roles of the Pevensie siblings at the age of 21. Again The Chronicles of Narnia is his first film work although he did have a few small parts in some TV programmes. William has wanted to act since the age of ten and even went to audition for the role of Harry Potter when it was originally cast.

Anna Popplewell – Susan Pevensie

Out of all four Anna has the most acting experience with her first major credit coming in the film Mansfield Park in 1999. Since then she has gone on to a star in a variety or projects until she landed the role of Susan for The Chronicles of Narnia. Not only is Anna a talented actress but she is talented in the classroom to as she currently studies at Oxford University. Anna has won awards for her portrayal of Susan and was even nominated for a Teen Choice Award.

To find out more about this month’s awards and to cast your vote go to:

http://www.talentedyoungpeople.com/awards/index.php

Frank Walsh: On set with Prince Caspian’s Final Battle

Friday, July 4th, 2008

Frank WalshAnimated Views’ Jeremie Noyer e-mailed us to tell us that his newest Caspian article is online: a second interview with art director Frank Walsh, on the Final Battle, with exclusive pictures and blueprints. Here’s the summary from the top of the article, followed by a link to the rest!

You may remember that, in our first interview with Prince Caspian Art Director Frank Walsh, there were some memories of his experience on set that he wanted to save for another time.

Now, that time has come to share with you all these amazing behind-the-scenes stories that make us realize today’s animation is not only about making animated features and shorts, but also that the present and the future of this art is in its co-operation with all the exciting disciplines at work in filmmaking. Frank Walsh’s position in the process, at its core, made him the perfect expert to tell us about that, and he has several stories to share with us!

So, let’s begin with some aspects that may be taken for granted on screen, but that prove to be highly characteristic of state-of-the-art visual effects filmmaking: the Telmarines’ weapons in Prince Caspian’s final battle. As you shall see, there’s more than meets the eye!

Frank Walsh: On set with Prince Caspian ’s Final Battle