Meet Michael Madsen, the Voice of Maugrim

In Perry Moore’s book The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe: The Official Illustrated Movie Companion, the author interviews Director Andrew Adamson about the cast of the film, and reveals, for the first time anywhere, the voice of Maugrim (aka Fenris Ulf):

Perry Moore: Tell us about Michael Madsen as Maugrim, the Wolf Captain of the White Witch’s secret police.

Andrew Adamson: Michael was a late addition. Our producer, Mark Johnson, brought up Michael because he’d worked with him before. I don’t know why he hadn’t occurred to us earlier. Again, Mark just called him up and said, “I’m doing this film, are you interested?” and he said, “Sure,” and showed up and did it. He was great. He has this fantastic voice, a good bad guy. He was really funny. I started showing him some tapes and he’s like, “I get it, I’m a wolf.”

More about the book:

See how C. S. Lewis’s amazing land of Narnia was brought to the big screen in the major motion picture The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Go behind the scenes and discover how the magic was made!

Included inside are: never-before-seen images from the movie; exclusive behind-the-scenes stories; an in-depth discussion with director Andrew Adamson; actor profiles and interviews; Anna’s Journal — an on-the-set diary from actress Anna Popplewell, who portrays Susan Pevensie; and reflections and stories from those who meticulously created the costumes, armor, weapons, creatures, sets, beasts, and special effects.

ISBN: 0060827874; Imprint: HarperSanFrancisco; On Sale: 10/25/2005; Format: Trade PB; Trimsize: 8 1/2 x 10 7/8; Pages: 240; $19.95; $26.95(CAN)

Order from Amazon.com
Our Michael Madsen page
Our Maugrim page

Christianity Magazine: The Narnia Opportunity

christianity00Unlike the 18-certificate Passion film, LWW aims to attract a family audience and although the UK film certificate was unknown as we went to press, it seems likely it will be granted a PG. The film has been made by Walden Films, which has a good track record of creating family-friendly movies. The decision by Disney to partner with Walden and distribute this film was initially not welcomed by Christian culture watchers in the US who warned that Disney might want to water down the Christian symbolism. Disney have always denied this intent and the input of Douglas Gresham, the stepson of C S Lewis, who is a co-producer has helped reassure wary Christians. “I am a committed Christian and I am very happy with the script,” Gresham confirmed.

The Rt Revd Michael Langrish, the Bishop of Exeter, was reported in the Daily Telegraph saying, “a faithful adaptation could not help but be a Passion of the Christ for children.”

The Narnia tales
The Lion, The Witch and The Wardrobe (LWW) is the best-known book from a series of children’s classics called “The Chronicles of Narnia.” C.S. Lewis’ beloved literary classic adventure follows the exploits of the four Pevensie siblings – Lucy, Edmund, Susan and Peter. Set in World War II England, the children enter the world of Narnia through a magical wardrobe while playing a game of ‘hide-and-seek’ in the rural country home of an elderly professor. Once there, the children discover a charming, peaceful land inhabited by talking beasts, dwarfs, fauns, centaurs and giants that has become a world cursed to eternal winter by the evil White Witch, Jadis. Under the guidance of a noble and mystical ruler, the lion Aslan, the children fight to overcome the White Witch’s powerful hold over Narnia in a spectacular, climactic battle.

A Christian parable
There are numerous parallels to the gospel and instances of Christian imagery in LWW. Anyone who is planning to run a Narnia-linked programming idea in their church should read or re-read the book. At the heart of LWW is the death and resurrection of Aslan, who like Christ voluntarily steps in to take the punishment due to one of the ’sons of Adam’. Like the disciples, the children are grief stricken by Aslan’s death and then delighted by his return, which leads to the climactic battle against the witch and her evil allies. There are many other links between the book and the Christian faith.

C.S.Lewis
The author of Narnia Chronicles was arguably the most influential Christian writer, broadcaster and theologian of the 20th century. As well as writing children’s stories he has written many Christian classics including:

Mere Christianity – this masterpiece provides an excellent opportunity for believers and non-believers alike to hear a powerful, rational case for the Christian faith.The Screwtape Letters – A humorous account of temptation, this classic satire entertains with its sly and ironic portrayal of human life from the vantage point of Screwtape, a highly placed assistant to the devil. Lewis gives us the correspondence of the devil to his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man. Funny yet deadly serious.

The Problem of Pain – “If God is good and all-powerful, why does he allow his creatures to suffer pain?” And what of the suffering of animals, who neither deserve pain nor can be improved by it? Lewis sets out to disentangle this knotty issue.

The release of LWW is sure to trigger media interest in the rest of C.S. Lewis’ writings. Checkout the 10 Narnia-linked Ideas section for creative ways to introduce people to CS Lewis’ writings. The book Mere Christianity has been instrumental in many people coming to faith in Christ.

Narnian opportunity

The LWW filmmakers have already begun filming the second film from the Narnia series of books, a measure of their confidence that LWW will be a commercial success. The film adaptations of Tolkein’s Lord of the Rings books (Lewis and Tolkein were friends and fellow professors at Oxford) which have achieved critical and box office acclaim, have convinced Hollywood that this sort of fantasy story pulls in the audience.

Brace yourself for an army of film spin offs in book, game, toy and DVD format. Harper Collins the publisher of the Narnia books has released a new version of this series in paperback with photographic covers based on the film, which they hope will appeal to an adult audience in the same way that the Harry Potter books had crossover appeal – helped by adult-oriented book covers.

At one level the film can be enjoyed simply as a children’s adventure – albeit with breathtaking special effects and big name stars playing the leading roles – most notably [Tilda Swinton] as the White Witch. However, this winter the evangelistic opportunity exists to help our culture engage with eternal truths.

When Aslan, the great Lion of Narnia, told the children that they would soon have to return to the reality of their own country, the children were devastated.

“It isn’t Narnia, you know,” sobbed Lucy, “It’s you. We shan’t meet you there. And how can we live, never meeting you?”

“But you shall meet me, dear one,” said Aslan.

“Are are you there too, Sir?” said Edmund.

“I am,” said Aslan. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.”

The Lion, The Witch and The Wardrobe by CS Lewis (Harper Collins)

My prayer is that we are able to help people of all ages experience the Lion of Narnia, and then learn about him by His real name, and as He really exists in our world.

Article Scans from Waterhogboy:

Help us with our Resource page by giving us ideas for things, and links, to include here

Ian Brodie: Author Of Cameras In Narnia

Ian Brodie is author of Cameras In Narnia: How The Lion, The Witch And The Wardrobe Came To Life. Ian also wrote the hugely successful The Location Guidebook, the definitive Lord Of The Rings guidebook, which has sold a whopping 250,000 copies to date. His latest offering goes into the world of Narnia to reveal how the magic was made.

What are you trying to get across with this book?

It’s a whole mix of artistic people joined together, and that’s what I’m trying to get across in the book. This whole mixture of different crafts, all artistic in their own right, that work 20 hours a day, six days a week for a common goal that, in the end, most of them you only see as a rolling line of credits at the end of the film.

I interviewed over 50 people for the book, including the body doubles for the actors, and the two New Zealanders that are playing Centaur Oreius and General Otman, Shane Rangi and Patrick Kake.

Where was the most memorable filming location?

Flock Hill is amazing. To create the battlefield, they needed mountains in the background with snow on them as the spring melted Narnia and the witch loses her power, so they decide on this outrageous place up in the middle of the Southern Alps. But of course they needed nice spring grass as well, not Canterbury tussock, so a year before filming started they turned around and re-sowed the entire area with English grass, and kept it watered. It was this bizarre feeling of being in the Canterbury high country, but with beautiful long thick lush grass. So, that was a wonderful place.

What are the highlights of Cameras In Narnia?

The photos. Photography is my hobby, so the opportunity to be on set with a camera is pretty rare. I’m very proud of the photos because they do show what happened. I took 3000 pictures. I’m really pleased with them and they will hopefully get across to someone who has never been on set, or hasn’t been that fortunate, what it’s like. The other thing I’m proud of is the support of all those people. With a busy schedule, I would sit there with a microphone and they would make time for me.

Have you seen the finished product?

I’ve seen about six minutes of it. It was quite a special experience. I got to know the second editor Jim May pretty well, so I wandered in to say gidday to him with my 14-year old daughter. He played us six minutes of the movie and Sally Ann said, ‘wow, this is pretty cool!’. And there was a method to the madness because he wanted to see her reaction. I can’t wait now till December!

For the rest of the Interview, visit the source.

Order from Amazon.com

French voice of Aslan: Omar Sharif

French site Elbakin.net has released the name of the french voice of Aslan : veteran actor, Omar Sharif !

C’est ce que vient aimablement de nous confier Buena Vista International !
Alors, Liam Neeson, ou Omar Sharif ? Chacun aura sans doute sa préférence entre VO et VF… Mais nul doute que le célèbre acteur saura trouver le ton juste, c’est ce que l’on espère !

Thanks to Ciboule for the report!

A magnificent lion, a terrifying witch, fauns, ghouls, talking animals, wandering children and an enchanted wardrobe are all part of “The Lion, the Witch and the Wardrobe,” to be presented in Waxahachie. About 30 young actors will perform a theatrical adaptation of C.S. Lewis’ tale Oct. 26, 28 and 29 and Nov. 4.

The Ellis County Christian Homeschool Organization will present this play at 6:30 p.m. Oct. 26 at Park Meadows Baptist Church, 3350 N. U.S. Highway 77; at 7 p.m. Oct. 28 at the Nicholas P. Sims Library lyceum, 515 W. Main St.; at 3 p.m. Oct. 29 at the lyceum; and at 7 p.m. Nov. 4 in McCafferty Hall at Southwestern Assemblies of God University, 1200 Sycamore St.

The public is invited to attend any of these performances; admission is free; the Oct. 26 performance location is wheelchair-accessible.

Come experience the magic as Lucy (Avery Beaver of Red Oak) stumbles into the enchanted world of Narnia, which is in the grip of the White Witch (Melissa Agens of Waxahachie). Lucy and her siblings Peter (Zach Sanger of Venus), Susan (Heather Perry of Milford) and Edmund (Dylan Sparks of Palmer) will all eventually enter Narnia and meet fantastic creatures, such as a unicorn (Connie Cho of Lancaster), Mr. and Mrs. Beaver (Patrick McIntyre of Italy and Casey Sparks of Palmer) and, finally, the great lion Aslan (Jordan Richie of Red Oak).

ECCHO is sponsoring a one-act play competition on Nov. 5 at SAGU, where its students will give their final performance of “The Lion, the Witch and the Wardrobe.” Other homeschooled students are traveling from Huntsville, the San Antonio area and Carrollton to perform and compete in this event.

For more information about ECCHO or the play performances, contact eccho@ev1.net or (972) 938-5969.

Pied Piper Players’ The Lion, the Witch and the Wardrobe

Fans in the San Francisco Bay Area: This is a sophisticated, beautifully staged play with some great special effects — appropriate for adults, families and kids (though perhaps children under five might be a bit scared in the killing Aslan scene or the battle scene?).

NARNIA
A Family Musical based on The Lion, The Witch & The Wardrobe
presented by Pied Piper Players
October 21-30, 2005
Fridays and Saturdays at 7:30pm
Saturdays and Sundays at 2:00pm
Bayside Performing Arts Center, 2025 Kehoe Avenue, San Mateo
Tickets/Info 650.992.PIED (7433)
www.PiedPiperPlayers.org

See a Narnia Play

Elbakin.net’s Interview with Andrew Adamson

Questions for Andrew Adamson – Installment 3

Direction

Were you intimidated by the fact that your first live action movie was to be such a gigantic project?

Sure. I thought my first live action would be a simple character piece, maybe a nice little independent film… not so. But when this opportunity presented itself, I couldn’t pass it up. I’ve just loved the books for too long. Once you get started you kind of just deal with the problems that are immediately in front of you, so you break the large tasks up into bite sized tasks so that you don’t get overwhelmed.

Andrew AdamsonWill the creatures be pure CGI like Star Wars or performance-capture like Gollum? How did you cast their voices?

We’ve actually used just about every technique available. In some cases the characters were onset motion capture, in others key frame animation and sometimes both. We have characters that are full CGI and some that are a mix of human and CGI. For centaurs we sometimes have a horse body with a CGI human upper body, other times visa-versa and sometimes fully CGI. It really had to be decided on a shot by shot basis.

As far as casting: It’s pretty similar to casting any character. It’s combination of who they are, they’re acting style etc. In this case of course the voice is critical because all the animation stems from that.

Why did you choose to go for relatively unknown actors and actresses rather than at least a few big names?

I really just cast actors that I thought were right for the roles, regardless of the “size” of their names. The star of this movie is the story and that is what people will take away from it. That being said all the actors gave such wonderful performances that I’m sure they will soon be much more known!

How do you plan to address the inevitable comparisons between your film version of LW&W and the recent “Lord of the Rings” films? What is unique to this production?

You’re right that they’re inevitable, C.S. Lewis and Tolkien were contemporaries and friends who wrote in the same genre. I think, however, that the stories are completely different. This story takes children from our world into a magical alternative world. Narnia is a new world to Middle Earth’s ancient world… I could go on and on with the differences that I see. Ultimately the film will speak for itself, it’s such a different look, tone and story.

The wonder and the colourful world in “Narnia” couldn’t better be brought to life without the collaboration of a D.P. as talented as Donald McAlpine. Was your choice based on his previous “fantasy” works (i.e. Peter Pan, Moulin Rouge, Romeo + Juliet)?

I agree of course! It was based on his diversity, talent, skill and extraordinary vision. I’ve loved his photography in so many films including those mentioned above. We were lucky to have him and many other talented collaborators. (I wonder did Don ask that question??)

Narnia is a whole world. What part was the hardest to visualise?

The winter landscapes were challenging because we had to visualise them on set and on location. Because of the seasons we needed to shoot the set work before the locations, which meant we were taking a huge gamble that the snow would match when we went back to Central Europe. It is a tribute to Don McAlpine and Roger Ford that we were able to create such a contiguous world with these kind of seasonal challenges.

What was your biggest challenge in this movie?

Probably the scope of it. It starts as such a small family drama in WWII London and ends up being an epic journey and battle. The range of locations, characters and season made it technically very challenging and physically arduous for the whole crew.

Which scene from the book was the most difficult to bring to screen?

The battle was the most technically challenging. There were many elements, CG creatures, prosthetic creatures, animals etc and we were shooting at a distant location where we had to ferry everyone up and down mountains in helicopters! And then it snowed!

Disney to beef up Buena Vista Games

By doing everything under one roof – publishing, developing, marketing – Disney can maximize its resources and profit. Having its own development studios also allows for Buena Vista to create its own original game product, something that can be very lucrative if the title turns out to be hit.

Chicken Little (the game is out Tuesday), The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (Nov. 15), and Tim Burton’s The Nightmare Before Christmas (already on shelves) are Buena Vista’s first multi-platform releases as publisher.

Disney has Harry Potter-like hopes for the Narnia movie, out Dec. 9. That optimism extends to the video game, given that the books by C.S. Lewis have sold more than 80 million copies.

Now Disney wants to mine the rest of its content for gaming. That includes movies made by Touchstone and Miramax plus its TV programming. For example, the hit show Lost, aired on Disney’s ABC, seems tailor-made for a video game.

“There’s a lot of different content coming out of the Walt Disney Company in movies that appeals to various age groups,” said Liem.

Beyond the Wardrobe: The Official Guide to Narnia

I just bought a copy of this book, and it’s fantastic. It has many new pictures and tons of artwork all throughout from the movie, the books and more!

Includes movie images from The Chronicles of Narnia: The Lion, the Witch and the Wardrobe by Walt Disney Pictures and Walden Media!

Beyond the Wardrobe is the first official full-color guide to C. S. Lewis’s best-selling fantasy classics that comprise The Chronicles of Narnia. This extravagant companion is perfect for established fans and newcomers to the books as well as for those who have seen the movie The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.

Take an exciting tour through the series that has been heralded as the standard by which all fantasy realms must be measured.

Everything there is to know is here:

* Find out about C. S. Lewis and the mythical and historical origins of Narnia.
* Watch the great tale unfold book by book as you journey to the Lone Islands, cross the Lantern Waste and stand atop Aslan’s How.
* Discover the powers and magic behind the characters.
* Witness battles of epic proportions between good and evil.

Lavishly illustrated with original artwork and archival photos as well as images from the spectacular movie, this indispensable volume takes readers beyond the wardrobe and into one of the great classic series of all time.

ISBN: 0060765534; Imprint: HarperCollins; On Sale: 10/25/2005; Format: Paperback; Trimsize: 8 1/2 x 11; Pages: 128; $19.99; $25.99(CAN)

Order from Amazon.com

The Official Illustrated Movie Companion

The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe
The Official Illustrated Movie Companion
by Perry Moore

See how C. S. Lewis’s amazing land of Narnia was brought to the big screen in the major motion picture The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Go behind the scenes and discover how the magic was made!

Included inside are: never-before-seen images from the movie; exclusive behind-the-scenes stories; an in-depth discussion with director Andrew Adamson; actor profiles and interviews; Anna’s Journal — an on-the-set diary from actress Anna Popplewell, who portrays Susan Pevensie; and reflections and stories from those who meticulously created the costumes, armor, weapons, creatures, sets, beasts, and special effects.

ISBN: 0060827874; Imprint: HarperSanFrancisco; On Sale: 10/25/2005; Format: Trade PB; Trimsize: 8 1/2 x 10 7/8; Pages: 240; $19.95; $26.95(CAN)

Order from Amazon.com