Hey, everybody! Welcome to Tumnus’s Book Shelf, where we review any and all books related to CS Lewis and the Chronicles of Narnia. Today, we will be looking at CS Lewis’s Of Other Worlds.
Part C. S. Lewis-biography, part literary analysis, The Magician’s Book: A Skeptic’s Adventures in Narnia is, at its heart, the story of a journey. The first step came when its author, Laura Miller, was given a copy of The Lion, the Witch and the Wardrobe by her second grade teacher. Today a well-respected writer and literary critic, Miller looks back at the spell this book cast on her and at how it shaped the reader and the person she has become.
Like all journey stories, some parts will be familiar and some will not. Most Narnia fans will be able to relate to Miller’s account of how the Chronicles of Narnia changed the way she looked at the world. They will identify with Miller’s deep desire to be Lucy, “that rare creation, a character who is good without being a prig or a bore.”
But these are side trips, not the main path in a book which promises to reclaim Narnia “for the rest of us,” this meaning readers who, like Miller, loved Narnia as young people but then felt “tricked, cheated, and betrayed” after they discovered that many Narnian themes mirrored themes found in Christianity.
Anyone not belonging to this “rest of us” group may find it hard to understand why this discovery produced so much anger and bitterness in Miller. Although she devotes most of her book to describing her rocky relationship with the Narnia books, she is never able to articulate exactly why learning that they represent C. S. Lewis’s attempt to put his most foundational beliefs into story form “horrified” her.
Would she have felt so horrified had she discovered Lewis was a Buddhist?
Hey, everybody! Welcome to a very special Valentines Day Edition of Tumnus’s Book Shelf where we review any and all books related to Narnia and CS Lewis. Today we will be looking at CS Lewis’s The Four Loves.
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Amazon.com has today announced the release of their new edition of Kindle. With that announcement comes new additions to the library of books available for Kindle, including many works written by C.S. Lewis.
Welcome to Tumnus’s Book Shelf where we review any and all books related to The Chronicles of Narnia and CS Lewis! For today’s book we will be covering CS Lewis’s The Weight of Glory.
Welcome to Tumnus’s Book Shelf where we review any and all books related to The Chronicles of Narnia and CS Lewis! For today’s book we will be reviewing Tales Before Narnia, edited by Douglas Anderson.
Title: Tales Before Narnia
Author: Various
Edited by: Douglas A. Anderson
Publisher: Del Ray
ISBN -10: 0345498909
ISBN -13: 978-0345498908
The Problem of Pain by C.S. Lewis
Welcome to Tumnus’s Book Shelf where we review any and all books related to The Chronicles of Narnia and CS Lewis! For today’s book we will be covering CS Lewis’s The Problem of Pain.
Title: Problem of Pain
Author: CS Lewis
Publisher: HarperOne
ISBN-10: 0060652969
ISBN-13: 978-0060652968
The Great Divorce performed by Anthony Lawton
The Great Divorce has been performed at various events since 2006. I’ve not had the opportunity to see it yet, as I would have to travel a great deal from Michigan in order to see it. But for those who can get to a performance in Philadelphia, I have heard that it comes highly recommended by Lewis fans around the world.
The Great Divorce
Limited engagement – back by popular demand!
Based on the novel by C.S. LEWIS
Adapted and Performed by ANTHONY LAWTON
December 26, 2008 – January 4, 2009
Lewis’ own favorite among his works, The Great Divorce is the story of Clive, a hapless professor, and the motley band of malcontents who join him on a very curious bus ride. Journeying between Hell and Heaven, Clive crosses a surprising, wildly inventive landscape drawn by Lewis’ philosophical imagination. Satirical and comic, The Great Divorce is a wondrous ride filled with dazzling insight and language.
Tickets are $40 ($35 for subscribers)
Call 215.829.0395 or order online
Running Time
90 minutes, no intermission
Here is a trailer for the Magis Theatre version of The Great Divorce.
-via The C.S. Lewis Foundation Blog
We’re starting up our regular C.S. Lewis Society updates again! People really tend to like these, and they help to raise awareness of Lewis Societies all over the United States. This is the December 2008 newsletter of the C.S. Lewis Society of California: Logos.
- In This Issue:
1. New BBC Documentary, The Narnia Code
2. Other Narnia News
3. Upcoming C.S. Lewis Society Events
1. BBC Documentary, The Narnia Code:
The BBC is producing the new documentary by Norman Stone, The Narnia Code, based on the seminal book by Michael Ward, Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis (Oxford University Press) for airing at Easter 2009. Dr. Ward and the book were featured at the C.S. Lewis Society of California’s special screening of the recent film, Prince Caspian, on May 17, 2008, at San Francisco’s Metreon. Stone won a BAFTA and an Emmy for his 1984 BBC production of C. S. Lewis Through the Shadowlands.
“Secret theme behind Narnia Chronicles is based upon the stars, says new research: The hidden theme behind C. S. Lewis’ Narnia books has finally been uncovered, according to a BBC documentary,” by Alastair Jamieson (London Telegraph, November 30, 2008)
“Documentary to lay bare ‘Narnia Code’,” by Alison Flood (Guardian, December 2, 2008)
2. Other Narnia News:
A. Prince Caspian Released on 3 Disc Special Edition (DVD and Blue-ray Disc):
“Newly Released ‘Prince Caspian’ DVD Takes Movie Fans Behind the Magic,” by Josh Kimball (Christian Post, December 2, 2008)
“‘Prince Caspian’ DVD hits stores tomorrow,” by Bob Beltz (San Francisco Examiner, December 1, 2008)
“The Chronicles of Narnia: Prince Caspian 3-Disc Special Edition DVD Review,” by Michael Weyer (411mania.com, December 5, 2008)
B. New Book Presents Skeptic’s Appreciation of The Chronicles of Narnia:
Numerous articles are currently appearing on the new book by Salon.com’s book critic Laura Miller, The Magician’s Book: A Skeptic’s Adventures in Narnia. In the book, Ms. Miller recounts her childhood love for The Chronicles of Narnia, only to turn away from from them as a non-Christian young adult, and later to return to them with skeptical admiration. Along the way, she has come to appreciate Lewis’s immense accomplishment in the Narniad, but largely believes that this relates solely to Lewis’s use of pre-Christian legends and symbols and that the Christian imagery was inappropriate and a “betrayal” (a view she incidentally does not hold for Philip Pullman’s bluntly anti-Christian Dark Materials trilogy). Her error lies in failing to appreciate Lewis’s (and J.R.R. Tolkien’s, Charles Williams’s and G.K. Chesterton’s) deeper point that all truly good literature, including ancient legend, reflects shadowings of Christian truths. For Lewis, the difference between standard myth and Christianity is not that the former is more authentic myth, but that Christianity is most authentically what Tolkien called “true myth,” in which the truths embedded in those legends, which althougth untrue have inspired and thrilled generations for millenia, became all too real in the true story of Jesus Christ.
Indeed, it was this insight by Lewis that was a major factor in his conversion in becoming a Christian. Although having much to be admired, Ms. Miller’s book really is a reflection of her own biases and limitations as a agnostic/modernist journalist, and she would do well to dig deeper into Lewis’s own scholarly writings on this matter, as well as Michael Ward’s superb book, Planet Narnia. In so doing, she (as with both Philip Pullman and Tokien himself) misinterprets numerous aspects of the Narniad stories, predictably based on her ignorance both of the classic literature Lewis was drawing upon and the “Medieval model” Ward reveals is at the heart of the books. Lewis’s Narniad has been so extremely popular because of its profoundly effective and sophisticated integration of enduring truths of the yearning of all mankind for what Lewis rightly called “Joy,” which leads us on a path directly to Christianity.
“A Return to Narnia: Adored in childhood, reconsidered in adulthood and finally embraced,” by Meghan Cox Gurdon (Wall Street Journal, December 6, 2006)
“The Magician’s Book: Actual Smart Things About C.S. Lewis (and J.R.R. Tolkien),” by Lev Grossman (Time, December 1, 2008)
“A spy in the house of Narnia,” by Rebecca Traister (Salon.com, December 7, 2008)
3. Upcoming C.S. Lewis Society Events:
C.S. Lewis Society Bay Area Book and Film Club (See year-long schedule here)
Meets bi-weekly Wednesdays at 7:30 p.m.
The upcoming meeting will be held at:
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- God in the Dock is a wonderful book of forty-eight essays and twelve letters written by Lewis between 1940 and 1963. Ranging from popular newspaper pieces to learned defenses of Christian faith, these essays cover topics as varied as the logic of theism, good and evil, miracles, religion and science, ethics and politics, and much more. ”These two characteristics in Lewis—the searching mind and the poetic spirit—are readily evident. . . . Here the reader finds the tough-minded polemicist relishing the debate; here too the kindly teacher explaining a complex abstraction by means of clarifying analogies; here the public speaker addressing his varied audience with all the humility and grace of a man who knows how much more remains to be known.”
—New York Times Book ReviewGod in the Dock is available in paperback, on CDs, on audio cassettes, or online.
11990 Skyline Boulevard, Oakland, CA 94619 (atop the Oakland hills)
RSVP: 510-482-2906 phone
Wine, beer, soft drinks and other refreshments servedDecember 10 and 17: Discussion:
God in the Dock: Essays on Theology and Ethics, by C.S. Lewis
Leader/moderator: Frank and Lucia La Rocca
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For yourself and others, you can order books by or about C.S. Lewis, as well as videos and DVDs plus audio tapes and CDs.
Logos is made possible by the generous contributions of Members of the C.S. Lewis Society. If you enjoy Logos, please consider becoming a Member and making a donation to the C.S. Lewis Society. Click here for details on the C.S. Lewis Society Membership program, or contact us by phone at 510-635-6892,or by snail mail to C. S. Lewis Society of California, 100 Swan Way, Suite 200, Oakland, CA 94621-1428. All contributions are tax-deductible. Thank you!
-David J. Theroux
Wouldn’t you know it, just as Prince Caspian is about to be released to DVD and Blu-ray Disc, a BBC documentary is announced that won’t air until Easter. Not that I blame them… that is pure marketing.
The documentary is called “The Narnia Code” and it is based on a theory that the Chronicles of Narnia books all relate to the different planets in our solar system.
Each of the seven children’s chronicles is based on one of the seven planets that comprised the heavens in medieval astrology, says a scholar whose theory is examined in the programme.
The explanation comes after more than five decades of literary and theological debate over whether Lewis devised the fantasies with a pattern in mind or created characters and events at random.
It is put forward by Reverend Dr Michael Ward, in his book Planet Narnia: The Seven Heavens in the Imagination of CS Lewis.
Norman Stone, director and producer of The Narnia Code, to be screened on BBC2 at Easter, says the theory is the “best explanation yet” for the chimerical nature of the books.
The Chronicles of Narnia have sold over 120m copies in 41 languages since their first publication in the early 1950s first of the books, The Lion, The Witch and the Wardrobe, was turned into a film starring Tilda Swinton and James McAvoy in 2005.
The books are already known to work on two levels: the fantasy narrative enjoyed by generations of children, and the Christian allegory in which the lion Aslan represents Christ. However, Lewis never revealed the hidden key behind the series.
Dr Ward made his discovery in 2003 after reading The Planets, a poem by Lewis which refers to the influence of Jupiter in “winter passed / And guilt forgiv’n” – a theme echoed in The Lion, The Witch and The Wardrobe.
He claims Lewis’ knowledge of medieval history, of which he was one of the leading scholars, made him familiar with the characteristics attributed to the seven planets during the period. Each of these planets gives one of the books its theme. Prince Caspian, for example, is a story ruled by Mars, who is manifested by soldiery and battle, while The Voyage of the Dawn Treader focuses on the Sun, with its light and gold themes. In The Horse and His Boy, based on Mercury, the planet that rules the star sign Gemini and is associated with the power of communication, the characters include twins and a talking horse.
Mr Stone said: “This isn’t the first theory on Narnia and I don’t suppose it will be the last but this is the best explanation yet.
He added: “This will help change the view of Lewis. It will help elevate Lewis to a different level and make him the equal of Tolkien – both as a writer and thinker.”
So, who’s interested in this possible theory? Thoughts?
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